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Eytel had an understanding not just of the Greek and Roman classics however of the best literature of England, America and his native Germany. I never understood Eytel to sleep inside. Trying to inure  Learn More Here  to difficulties in the belief it would strengthen his constitution ... Throughout the years it was Eytel who served as their "spiritual figurehead".

Later on Eytel became a recluse.: 50 Smoketree School [modify] Reporter Ann Japenga has actually identified Eytel's work as "Smoketree School" a school which is named after a favorite desert art topic, the smoketree.: 41 The school has origins with Alson S. Clark and Jack Frost, who were influenced by French impressionist Claude Monet.

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Brownell Mc, Grew, Agnes Pelton, Hanson Puthuff and Swinnerton. Style and subjects [modify] from J. Smeaton Chase Our Araby (1920) Like many artists of the desert southwest, Eytel's style was impressionistic. His topics were varied and included the Mission San Jos de Tumaccori, in the Tumaccori National Historic Park near Nogales, Arizona (pre-restoration), and California Objective San Gabriel Arcngel and Mission San Juan Capistrano Spanish missions.

(His Mirage in the Desert (1905 ), painted for Wonders, depicts cattle and cowboys.) Eytel portrayed the life of Navajo, Hopi, Cahuilla, Serrano and Kamia peoples, consisting of landscapes of the New Mexico 8 Northern Pueblos in San Ildefonso, Laguna, Tesuque and Taos Pueblo. The Walpi Pueblo on First Mesa, Hopi Booking, Arizona, and Cocopah people near Calexico, California were drawn also.

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His scenes from early Palm Springs consisted of the stagecoach station and William Pester "The Hermit of Palm Springs". Eytel's landscapes and mountain scenes in Marvels consisted of: Algodones, including the Pilot Knob landmark, Imperial County, California San Jacinto National Forest, California Oak Creek Canyon, within Coconino National Park, Arizona Mt. San Gorgonio, California Mt.

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Eytel got the following eulogy from Saunders writing in August 1926: However to Carl Eytel, leader of Palm Springs artists, working there long before the world of fashion had heard of the location, Palm Springs was his house, and the desert his life. He knew it in all seasons, in all state of minds, and he painted it with a sort of religious ardor springing from unfailing love, in season and out.